Thursday, June 15, 2017

Colored Prints - 18th and 19th centuries

after François Boucher
The Sense of Taste
(chinoiserie fire-screen)

ca. 1750
hand-colored etching
Cooper Hewitt, Smithsonian Design Museum

Matthew Darly
The Macaroni Print Shop, London
1772
hand-colored etching
British Museum

Carrington Bowles
Print Shop, St Paul's Churchyard, London
1774
hand-colored-mezzotint
British Museum

Carlo Lasinio after Pietro da Cortona
The Silver Age
ca. 1780-1800
color mezzotint
British Museum

Some day we will be saying, "That was the time of the sun,
Do you remember its light fell on the slightest twig,
The elderly woman or young astonished girl,
As soon as it touched it gave their color to things,
Kept pace with the galloping horse and stopped when he did,
That unforgettable time when we were still on Earth
Where if we dropped something it made a noise . . ."

 from Regretting the Earth, published in 1934 in French by Jules Supervielle, translated by Patricia Terry in 1975

Jean-Baptiste Réveillon
Wallpaper
ca. 1785
block-printed in France
Cooper Hewitt, Smithsonian Design Museum

after François Boucher
Wallpaper
ca. 1840
block-printed in France
Cooper Hewitt, Smithsonian Design Museum

John Dean after Giovanni Francesco Romanelli
Harmony between History and Poetry
1786
hand-colored mezzotint
British Museum

Charles Turner
Witches in Macbeth
1799
hand-colored mezzotint
British Museum

W.B. Walker of London after Carlo Maratti
Holy Family
1804
hand-colored mezzotint
British Museum

Thomas Rowlandson after Rudolph Ackermann
Ancient Greek painting from Herculaneum
1815
hand-colored aquatint with etching
Getty Museum, Los Angeles

Both of the Rowlandson caricatures from the Getty (above and below) were created in order to mock upper class taste in the arts during the Neoclassical heyday of the early 19th century. According to these cartoons, the vogue for representing noble Grecian nudity was really no better than an excuse for the public display of pornography.

Thomas Rowlandson after Rudolph Ackermann
Don Luigi meets Donna Anna in the Museum
1815
hand-colored aquatint with etching
Getty Museum, Los Angeles

Honoré Daumier
"We're the ones who made the Revolution, but they're the ones who eat it!"
(Two ragmen at Paris print stall)

1830
hand-colored lithograph
British Museum

Henri Monnier
Interior of Print Shop, Paris
before 1877
hand-colored lithograph
British Museum

Félix-Hilaire Buhot
Funeral Procession on Boulevard de Clichy
1887
etching, aquatint, drypoint
National Gallery of Art, Washington DC